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data-original-title="" title="">Esteban Castro as the recipients of The Gilmore’s inaugural 2026 Larry J. Bell Young Jazz Artist Awards, recognizing artistic excellence. Each winner receives a $25,000 stipend to further their musical career and educational development. Master pianist Bill Charlap honored Tyler and Esteban in a virtual award presentation, now streaming at TheGilmore.org and via The Gilmore’s YouTube channel.
It has long been a dream of The Gilmore’s to support the next generation of exceptional jazz pianists. We are happy to celebrate and recognize these two bright young stars who are transforming the soundtrack of tomorrow. I hope this gift gives them the courage to create, be bold, and build bridges between jazz’s history and possibility.” —Larry J. Bell, Past President of The Gilmore’s Board of Trustees
“We are thrilled to welcome Tyler and Esteban to the family of Gilmore young artist award winners. Each of these young men reflect the extraordinary diversity of voices shaping the future of jazz music. We are excited to support their development and honored to help further their ascending careers.” —SethAbramson, Director of The Gilmore’s Jazz Awards
Founded along with The Gilmore’s inaugural Bell Jazz Artist Award (to be presented in October 2025), the Bell Young Jazz Artists Awards are bestowed every four years to spotlight the most promising of the new generation of pianists living in the United States, age 24 and younger. The Awards provide the artists an inimitable platform for embarking on a career and offering audiences and listeners a chance to discover emerging jazz artists.
Candidates for the Award are nominated by music professionals from around the world. Those nominated are evaluated over an extended period of time for their pianism and musical promise by the Jazz Awards Artistic Advisory Committee. The process is carried out anonymously, and candidates are unaware of their own consideration.
Tyler and Esteban will perform solo recitals during the 2026 Gilmore Piano Festival, April 30 – May 10, 2026, in Kalamazoo, Michigan.
About Tyler Bullock
Tyler Bullock II is a dynamic pianist and composer located in New York City. Since moving from Nashville to attend the Juilliard School (BM 2025), Tyler has already established himself as one of the most promising pianists of his generation, having worked with Samara Joy, Sean Jones, Dee Dee Bridgewater, The Baylor Project, Herlin Riley, Willie Jones III, Sherman Irby, Ulysses Owens Jr., Bruce Williams, Curtis Lundy, Roy Hargrove Crisol and The Roy Hargrove Big Band – where he has been the regular pianist since 2022. In 2023, Tyler recorded an album with Ulysses Owens Jr.’s Gen Y Band at Rudy Van Gelder studio that spent eight weeks at #1 on the Jazz Radio Charts. Most recently, he recorded with Sean Jones for an upcoming album.
Tyler has toured internationally and played at top festivals and venues including Carnegie Hall, The Kennedy Center, Jazz at Lincoln Center, The Newport Jazz Festival, Monterey Jazz Festival, The Jacksonville Jazz Festival, Caramoor Jazz Festival, The Vancouver Jazz Festival, Blue Note NYC, Dizzy’s Club NYC, and The Cotton Club in Tokyo. In 2022, Tyler was honored at the National Young Arts top winner in jazz piano. He was also chosen for Carnegie Hall’s National Youth Orchestra Jazz in 2021 and for the NYO Jazz All-Stars in 2023. In 2024, he was selected to participate in the acclaimed Betty Carter Jazz Ahead program at The Kennedy Center.
About Esteban Castro
Esteban Castro is a Brooklyn-based pianist and composer born in 2002. Esteban started playing piano at age three, and quickly started improvising and composing at a young age. Esteban furthered their studies in both jazz and classical music privately with teachers including Fred Hersch and Phillip Kawin, and by participating in many high school programs such as the Manhattan School of Music Precollege and Jazz House Kids. In 2020, Esteban started studies at the Juilliard School on a full tuition scholarship, and graduated with their Bachelor of Music in 2024.
Since moving to New York, Esteban Castro has performed nationally and internationally as a leader, and as a sideman for bands led by artists such as Ambrose Akinmusire, Billy Drummond, Francesco Cafiso, Peter Evans, Joe Farnsworth, Giveton Gelin, Russell Hall, Harish Raghavan, and Ben Solomon, among others. In 2016, Esteban was the youngest-ever first prize winner of the Montreux Jazz Piano Solo Competition. Later, they were selected as a finalist for the 2023 American Piano Awards and is a winner of the 2025 Gilmore Festival Bell Young Jazz Award.
About Larry J. Bell Jazz Artist Awards
Mirroring the internationally renowned Gilmore Artist Awards for classical pianists, the Larry J. Bell Jazz Artist Awards provides some of the most generous financial support given in the musical arts. The Jazz Awards program was established in 2022 with an $8.8 million gift to The Gilmore’s endowment and is named for Kalamazoo businessman and Past President of the Gilmore International Piano Festival Board of Trustees, Larry J. Bell, who founded Bell’s Brewery in 1985. The Larry J. Bell Young Jazz Artist Awards are presented every four years. The Larry J. Bell Jazz Artist Award will be conferred every four years to a jazz pianist with the inaugural recipient to be announced in October 2025.
About The Gilmore
Created in 1989 to honor the legacy of businessman and philanthropist Irving S. Gilmore, The Gilmore is the premier institution in the United States dedicated exclusively to commissioning, performing and awarding extraordinary piano artistry. The Gilmore has presented 16 piano festivals, commissioned over 40 new works for piano, and awarded over $3 million as part of its internationally renowned Gilmore Artists Awards for classical pianists. The Gilmore will present its annual (previously biennial) Gilmore Piano Festival April 30-May 10 in 2026. Based in Kalamazoo, Michigan, The Gilmore continues to impact the lives of thousands of area children and adults through its year-round community engagement and music education programs including summer camps, music therapy, and much more.
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This philosopher asserted that the negations of the New Academy were not to be taken as a profession of absolute scepticism, but merely as a criticism on the untenable pretensions of the Stoa. His own position was that, as a matter of fact, we have some certain knowledge of the external world, but that no logical account can be given of the process by which it is obtained—we can only say that such an assurance has been naturally stamped on our minds.254 This is the theory of intuitions or innate ideas, still held by many persons; and, as such, it marks a return to pure Platonism, having been evidently suggested by the semi-mythological fancies of the161 Meno and the Phaedrus. With Philo as with those Scotch professors who long afterwards took up substantially the same position, the leading motive was a practical one, the necessity of placing morality on some stronger ground than that of mere probability. Neither he nor his imitators saw that if ethical principles are self-evident, they need no objective support; if they are derivative and contingent, they cannot impart to metaphysics a certainty which they do not independently possess. The return to the old Academic standpoint was completed by a much more vigorous thinker than Philo, his pupil, opponent, and eventual successor, Antiochus. So far from attempting any compromise with the Sceptics, this philosopher openly declared that they had led the school away from its true traditions; and claimed for his own teaching the merit of reproducing the original doctrine of Plato.255 In reality, he was, as Zeller has shown, an eclectic.256 It is by arguments borrowed from Stoicism that he vindicates the certainty of human knowledge. 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Her eyes gleamed from under her straight, black brows as she peered about her in quick, darting glances. George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four children—Frederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters. On the 13th of February the Opposition in the Commons brought on the question of the validity of general warrants. The debate continued all that day and the next night till seven o'clock in the morning. The motion was thrown out; but Sir William Meredith immediately made another, that a general warrant for apprehending the authors, printers, and publishers of a seditious libel is not warranted by law. The combat was renewed, and Pitt made a tremendous speech, declaring that if the House resisted Sir William Meredith's motion, they would be the disgrace of the present age, and the reproach of posterity. He upbraided Ministers with taking mean and petty vengeance on those who did not agree with them, by dismissing them from office. This charge Grenville had the effrontery to deny, though it was a notorious fact. As the debate approached its close, the Ministers called in every possible vote; "the sick, the lame were hurried into the House, so that," says Horace Walpole, "you would have thought they had sent a search warrant into every hospital for Members of Parliament." When the division came, which was only for the adjournment of Meredith's motion for a month, they only carried it by fourteen votes. In the City there was a confident anticipation of the defeat of Ministers, and materials had been got together for bonfires all over London, and for illuminating the Monument. Temple was said to have faggots ready for bonfires of his own. "No, you don't," answered Shorty. "I'm to be the non-commish of this crowd. A Lieutenant'll go along for style, but I'll run the thing." "Si Klegg, be careful how you call me a liar," answered the Orderly. "I'll—" "Then there is nothing to be done?" Dward asked. "I'll have a good grain growing there in five year—d?an't you go doubting it. The ground wants working, that's all. And as fur not wanting the farm no bigger, that wur f?ather's idea—Odiam's mine now." At last the gods, who are more open-handed than ungrateful people suppose, took pity on the rivals, and gave them something to fight about. The pretext was in itself trivial, but when the gunpowder is laid nothing bigger than a match is needed. This particular pretext was a barrow of roots which had been ordered from Kitchenhour by Reuben and sent by mistake to Grandturzel. Realf's shepherd, not seeing any cause for doubt, gave the roots as winter fodder to his ewes, and said nothing about them. When Reuben tramped over to Kitchenhour and asked furiously why his roots had never been sent, the mistake was discovered. He came home by Grandturzel, and found his precious roots, all thrown out on the fields, being nibbled by Realf's ewes. "It is false!" he replied, "no human law have I violated, and to no man's capricious tyranny will I submit." HoME欧美国一级视频直播
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