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      Home » Articoli » Year in Review » I Dischi del 2024 secondo Ludovico Granvassu

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      I Dischi del 2024 secondo Ludovico Granvassu

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      Spesso molti articoli sulle "migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" "¨¨ tutto soggettivo;" "domani avrei scelto titoli diversi;" "ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando "dieci fatidici" album tra migliaia, una scelta che, in teoria, dovrebbe offrire ai lettori una panoramica equilibrata e completa di una scena che, anno dopo anno, diventa sempre pi¨´ complessa e vasta. Oh cielo...

      Posso capire quel disagio. Ci sono passato. La consapevolezza di aver escluso tantissimi album meritevoli rende il piacere di indicare dieci album amati piuttosto sterile. Ahia...

      Quest'anno, per¨°, credo di aver cambiato prospettiva. Come ci sono arrivato? Riflettendo sullo stato d'anico con cui affronto, da lettore, questi articoli di "fine anno." Se li leggo con aspettativa e curiosit¨¤, anche se con le dovute pinze, ci sar¨¤ qualcosa di utile in questi articoli, no? Ci sar¨¤ per lo meno qualcosa di divertente. Ma cosa? Cosa?

      Dal momento che la musica non ¨¨ uno sport, non pu¨° essere la scoperta di quale album ha ricevuto il numero pi¨´ alto di riconoscimenti. Quanti capolavori sono stati trascurati e fraintesi al momento della loro pubblicazione? Quello che questi articoli offrono—almeno per me—¨¨ l'opportunit¨¤ di non farsi sfuggire album che meritano di essere ascoltati. S¨¬, perch¨¦ alla fine di ogni anno mi rendo conto che, nonostante abbia dedicato un'incredibile quantit¨¤ di tempo a setacciare ogni angolo della jazzosfera, ci sono ancora centinaia di dischi che non ho ascoltato, per vari motivi. Non sapevo fossero stati pubblicati. Mi sono sfuggiti. Li ho messi da parte per un momento, e poi sono stati sommersi dalla valanga di nuove uscite quotidiane, ecc...

      Quindi, ci¨° che questi articoli fanno davvero, almeno per me, ¨¨ ricordarmi di fermarmi e guardare indietro, per una volta. Mi spingono a crogiolarmi nella bellezza jazzistica che l'anno ci ha offerto. E questo ¨¨, forse, il modo migliore per ricaricare le batterie in vista del nuovo anno. Con la consapevolezza che, come appassionati di jazz, possiamo contare su un mondo jazzistico che sembra pi¨´ accogliente del mondo reale, un luogo dove musica progressiva e conservatrice, musica suonata da persone di tutte le provenienze e convinzioni, jazz eseguito da musicisti di ogni et¨¤ e provenienti da tutto il mondo, si uniscono per creare qualcosa di pi¨´ grande della somma delle sue parti. Ed ¨¨ per questo che, affinch¨¦ una retrospettiva dell'anno sia significativa, bisogna gettare una rete ampia (ho cercato di gettarla il pi¨´ ampia possibile, ma sono pienamente consapevole che non ¨¨ ancora abbastanza ampia, dato che album sia tradizionali che completamente improvvisati raramente sono finiti nella mia pila di CD).

      In quest'ottica, ho elencato i numerosi album ai quali sar¨° felice di tornare in futuro. Perch¨¦ un altro aspetto di questi articoli ¨¨ che funzionano come le briciole di pane di Hansel e Gretel, grazie alle quali—col tempo—possiamo ripercorrere i nostri passi e ricordarci come eravamo e come suonava il nostro mondo.

      Se non avete avuto la possibilit¨¤ di ascoltare questi album, dategli una chance. Se non avete abbastanza tempo, ascoltate gli episodi del mio programma radiofonico in cui ho raccolto alcune delle migliori canzoni del 2024, scelte da questi album (e non solo): Parte 1, Parte 2, Parte 3, Parte 4, Parte 5, e Parte 6. Come sempre, spero che piacciano anche a voi!

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      Dischi d'esordio

      Rivelazioni (almeno per me)

      Inediti (e ristampe che includono materiale inedito)

      Ristampe

      Divertimento sfrenato

      Notevoli



      Tags

      Year in Review Sean Ono Lennon Ludovico Granvassu Parte 1 Parte 2 Parte 3 Parte 4 Parte 5 Parte 6 Melissa Aldana Echoes Of The Inner Prophet Blue Note Records Ben Allison Steve Cardenas Ted Nash Sonic Camera Karl-Martin Almqvist Nduduzo Makhathini Ropeadope Roxana Amed Becoming Human Sony Music Mulatu Astatke Tension Adam Ba?dych Leszek Mo?d?er ACT Music Jamie Baum What Times Are These Sunnyside Records Francesco Bearzatti Federico Casagrande CAM Jazz Stefano Risso Mattia Barbieri Auand Black Lives People of Earth Jammin' Colors Matthieu Bordenave The Blue Land ECM Records Stephan Crump Kris Davis Eric McPherson Patricia Brennan Breaking Stretch Pyroclastic Records Rosa Brunello Anna Butterss Mighty Vertebrate International Anthem Frank Carlberg Elegy for Thelonious Layale Chaker Radio Afloat Etienne Charles Creole Orchestra Culture Shock Music Trish Clowes Ross Stanley Journey to Where Stoney Lane Records Natalie Cressman Ian Faquini GroundUP Music Franco D'Andrea Gabriele Evangelista Roberto Gatto Something Bluesy and More Parco Della Musica Emiliano D'Auria Via Veneto Jazz Run the Gauntlet Dave Douglas Gifts Greenleaf Music Julieta Eugenio Stay Orrin Evans Walk A Mile In My Shoe Imani / 88 Keys Productions Peter Evans WeJazz Paolo Fresu Legacy Tuk Music Bill Frisell Orchestras Larry Goldings John Sneider Chinwag Sticky Mack Records Arve Henriksen Harmen Fraanje The Touch of Time Robin Holcomb Wayne Horvitz abdullah ibrahim 3 Gearbox Records Ayumi Ishito Wondercult Club 577 Records Vijay Iyer Compassion The Jazz Passengers Josh Johnson Unusual Object Northern Spy Goran Kajfes Label Bleu Ryan Keberle Posi-Tone Records Oan Kim Rebirth of Innocence Cassie Kinoshi Gratitude Julian Lage Speak To Me Timo Lassy Jukka Eskola Dox Records Bill Laurance Michael League Keeping Company Asterisms Tzadik Gonzalo Rubalcaba charles lloyd The Sky Will Still Be There Tomorrow Jake Long City Swamp Godwin Louis Psalms and Proverbs Blue Room Music Mikael Mani Fergus McCreadie Stream Edition Records brad mehldau Nonesuch Records Elan Mehler Trouble in Mind The Messthetics James Brandon Lewis The Messthetics And James Brandon Lewis Impulse! Records Riley Mulherkar Riley Wolfgang Muthspiel Etudes / Quietudes Clap Your Hands Moserobie Milton Nascimento Esperanza Spalding Milton + esperanza concord music group Meshell Ndegeocello Elsa Nilsson Atlas of Sound -Quila Quina ears&eyes Records Matt Pavolka Disciplinary Architecture Audrey Powne From the Fire BBE Records Joel Ross Nublues Julie Sassoon Inside Colours Duo/Trio Live JAZZWERKSTATT Jenny Scheinman Royal Potato Family Brad Shepik Human Activity: Dream of the Possible Shifting Paradigm Records Harry Skoler Red Brick Hill Simona Severini Giulio Corini Ches Smith Wadada Leo Smith Amina Claudine Myers Central Park's Mosaics of Reservoir, Lake, Paths and Gardens Red Hook Records Walter Smith III Tyshawn Sorey Pi Recordings Kika Sprangers John Surman Words Unspoken Jacky Terrasson Earth-Sounds Universal Luzia von Wyl Lu Records Immanuel Wilkins Blues Blood Kathrine Windfeld Aldebaran Stunt Records/Sundance Music Lucy Woodward Lucy Woodward & The Rocketeers Altus Mythos Nicola Caminiti Vivid Tales of a Blurry Self-Portrait Ivanna Cuesta A Letter To The Earth Orenda Records Alden Hellmuth Biophilia Records neta raanan Giant Step Arts Willy Rodriguez SLIDERS April Varner April Amy Aileen Wood The Heartening Andrew Bird Devin Daniels LesGo! Sam First Amy Gadiaga All Black Everything Jazz Re:freshed KNOBIL Peter Lenz Enzo Pietropaoli Luaka Bop Joe Webb Cannonball Adderley Poppin In Paris: Live At L'Olympia 1972 Elemental Music Gato Barbieri Standards Lost and Found 1 Red Records Ran Blake Dave "Knife" Fabris Ezz-Thetics Jakob Bro Lee Konitz jason moran Thomas Morgan Andrew Cyrille Taking Turns Alice Coltrane The Carnegie Hall Concert Miles Davis Miles In France 1963 & 1964: The Bootleg Series Vol. 8 Roy Hargrove Grande-Terre Verve Records Andrew Hill A Beautiful Day, Revisited Palmetto Records Al Jarreau Wow! Live At The Childe Harold Resonance Records Ron Miles Joni Mitchell Emily Remler Cookin' at the Queens: Live in Las Vegas 1984 & 1988 Kurt Rosenwinkel The Next Step Band (Live at Smalls, 1996) Heartcore Records Slow Poke Ryuichi Sakamoto WEWANTSOUNDS tomasz stanko Sun Ra Charles Tolliver Live at the Captain's Cabin McCoy Tyner Joe Henderson Forces Of Nature: Live At Slugs' Mal Waldron Steve Lacy The Mighty Warriors -Live in Antwerp Frank Zappa Apostrophe (') 50th Anniversary Edition Zappa Records John Coltrane Harold Land Eric Person Rhythm Edge Patrice Rushen Prestige Records Fabrizio Bosso Julian Oliver Mazzariello Dodicilune Records Bela Fleck Rhapsody in Blue Thirty Tigers Ghost-Note Artistry Music Mack Avenue Melinda Sullivan Big Foot Les Hommes S¨¬, cos¨¬ The Jazz Defenders Haggis Records Nation Beat Archaic Humans New Jazz Underground Nout Live album Trost Records Luke Carlos O'Reilly Fred Pallem Parlor Greens Colemine Records Fergus Quill ben sidran Bonsai Music Mike Stern Echoes and Other Songs Mack Avenue Records Joe Tatton Franco Ambrosetti Sweet Caress Enja Records Whirlwind Recordings Yonathan Avishai jazz&people Reinier Baas rudy van gelder Camilla Battaglia The Beat Freaks Ralph Alessi Mechanics of Nature Northbound Jasper Blom Owen Broder Hodges: Front and Center: Vol. Two Outside In Music Vinicius Cantuaria Psychedelic Rio The Choir Invisible Town of Two Faces Valentina Ciardelli Anais Drago Challenge Records Anat Cohen Bloom Anzic Steve Coleman PolyTropos / Of Many Turns Isaiah Collier The Almighty M¨¦d¨¦ric Collignon Le Triton Slow Water Papillon Sounds Amalie Dahl Josephine Davies Satori: Weatherwards Caroline Davis Portals, Volume 2 : Returning Benoit Delbecq Etienne Renard Guilhem Flouzat Kit Downes Bimhuis Henriette Eilertsen Kurt Elling Moppa Elliott Jonesville Hot Cup Records John Ellis John Escreet The Epicenter Of Your Dreams Alon Farber The Magician: Live in Jerusalem Origin Records Flat Earth Society Amaro Freitas Elin Forkelid erik friedlander Skipstone Records Breaking the Shell Leo Genovese Demian Cabaud Marcos Cavaleiro Volker Goetze Guy Klucevsek Little Big Top Phillip Golub Abiding Memory Berthold Records Andrea Grossi Jim Black AXES We Insist Mary Halvorson Cloudward Tom Harrell Gilad Hekselman Life, at the Village Vanguard La Reserve Alexander Hawkins Sofia Jernberg Musho Christopher Hoffman Out Of Your Head Records Gilbert Holmstrom Jasper H?iby Ingebrigt Haker Flaten Breezy Sonic Transmissions Randy Ingram Aries Dance Sounderscore Paul Jarret Chris Jennings Lucien Johnson Ancient Relics Deluge Alternate Side Records Amirtha Kidambi Brian Landrus Plays Ellington & Strayhorn Latrala Jihye Lee Infinite Connections Peggy Lee Dylan van der Schyff Julien Wilson Theo Carbo Janel Leppin To March Is To Love Cuneiform Records Transfiguration Mark Lockheart John Lurie Painting With John Hayoung Lyou Andy Milne Nicole Mitchell Ballak¨¦ Sissoko Fpe Records Nicole McCabe Mosaic Ghost Note Records Tony Moreno Ballads Volume 1 Simon Moullier Kjetil Mulelid Agoja Odin Records Youn Sun Nah Jon Cowherd Elles Miles Okazaki Miniature America Adam O'Farrill HUESO Kresten Osgood Live At H15 Studio ILK Music Roberto Ottaviano People Emile Parisien Jeff Parker The Way Out of Easy Enrico Pieranunzi Dafnis Prieto Dafnison Queen Esther Enrico Rava Fearless Five tomeka reid 3+3 Shooting Star -Etoile Filante Alternate Side Steph Richards Power Vibe Marta Sanchez Perpetual Void Jamie Saft Michael Sarian Scheen Jazzorkester Cortex Clean Feed Louis Sclavis Benjamin Moussay Unfolding Tom Skinner Voices of Bishara Live at "Mu" Vinnie Sperrazza Loyal Label Simon Spiess Ohad Talmor Tomin ?lvaro Torres Iris Rufus Cappadocia Alexi Tuomarila Oded Tzur My Prophet Toine Thys Hypnote Records Frakmont Ben Wendel Lily White Ben Wolfe Miguel Zenon Golden City Miel Music Ella Zirina Alice Zawadzki Fred Thomas Za G¨®rami

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      Instrument: Guitar

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      ˇ®Oh, that,ˇŻ she said. ˇ®Dear Julia; I hope we shall be great friends again, when I come back from Brighton. I shall be very glad to, I am sure.ˇŻ "His captain asked him what he had to say for himself to escape punishment, and the man replied that it was unreasonable to expect all the cardinal virtues for thirteen dollars a month. The captain told him the excuse was sufficient for that time, but would not do for a repetition of the offence." "Pat who--oh? I tell you, my covey,--and of course, you understand, I wouldn't breathe it any further--" We have seen how Carneades, alike in his theory of probability and in his ethical eclecticism, had departed from the extreme sceptical standpoint. His successor, Clitomachus, was content with committing the doctrines of the master to writing. A further step was taken by the next Scholarch, Philo, who is known as the Larissaean, in order to distinguish him from his more celebrated namesake, the Alexandrian Jew. This philosopher asserted that the negations of the New Academy were not to be taken as a profession of absolute scepticism, but merely as a criticism on the untenable pretensions of the Stoa. His own position was that, as a matter of fact, we have some certain knowledge of the external world, but that no logical account can be given of the process by which it is obtainedˇŞwe can only say that such an assurance has been naturally stamped on our minds.254 This is the theory of intuitions or innate ideas, still held by many persons; and, as such, it marks a return to pure Platonism, having been evidently suggested by the semi-mythological fancies of the161 Meno and the Phaedrus. With Philo as with those Scotch professors who long afterwards took up substantially the same position, the leading motive was a practical one, the necessity of placing morality on some stronger ground than that of mere probability. Neither he nor his imitators saw that if ethical principles are self-evident, they need no objective support; if they are derivative and contingent, they cannot impart to metaphysics a certainty which they do not independently possess. The return to the old Academic standpoint was completed by a much more vigorous thinker than Philo, his pupil, opponent, and eventual successor, Antiochus. So far from attempting any compromise with the Sceptics, this philosopher openly declared that they had led the school away from its true traditions; and claimed for his own teaching the merit of reproducing the original doctrine of Plato.255 In reality, he was, as Zeller has shown, an eclectic.256 It is by arguments borrowed from Stoicism that he vindicates the certainty of human knowledge. Pushing the practical postulate to its logical conclusion, he maintains, not only that we are in possession of the truth, but alsoˇŞwhat Philo had deniedˇŞthat true beliefs bear on their face the evidence by which they are distinguished from illusions. Admitting that the senses are liable to error, he asserts the possibility of rectifying their mistakes, and of reasoning from a subjective impression to its objective cause. The Sceptical negation of truth he meets with the familiar argument that it is suicidal, for to be convinced that there can be no conviction is a contradiction in terms; while to argue that truth is indistinguishable from falsehood implies an illogical confidence in the validity of logical processes; besides involving the assumption that there are false appearances and that they are known to us as such, which would be impossible unless we were in a position to compare them with the corresponding162 truths.257 For his own part, Antiochus adopted without alteration the empirical theory of Chrysippus, according to which knowledge is elaborated by reflection out of the materials supplied by sense. His physics were also those of Stoicism with a slight Peripatetic admixture, but without any modification of their purely materialistic character. In ethics he remained truer to the Academic tradition, refusing to follow the Stoics in their absolute isolation of virtue from vice, and of happiness from external circumstances, involving as it did the equality of all transgressions and the worthlessness of worldly goods. But the disciples of the Porch had made such large concessions to common sense by their theories of preference and of progress, that even here there was very little left to distinguish his teaching from theirs.258 After she had done that she stood hesitating for just a moment before she threw off all restraint with a toss of her head, and strapped about her waist a leather belt from which there hung a bowie knife and her pistol in its holster. Then slipping on her moccasins, she glided into the darkness. She took the way in the rear of the quarters, skirting the post and making with swift, soundless tread for the river. Her eyes gleamed from under her straight, black brows as she peered about her in quick, darting glances. George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four childrenˇŞFrederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters. On the 13th of February the Opposition in the Commons brought on the question of the validity of general warrants. The debate continued all that day and the next night till seven o'clock in the morning. The motion was thrown out; but Sir William Meredith immediately made another, that a general warrant for apprehending the authors, printers, and publishers of a seditious libel is not warranted by law. The combat was renewed, and Pitt made a tremendous speech, declaring that if the House resisted Sir William Meredith's motion, they would be the disgrace of the present age, and the reproach of posterity. He upbraided Ministers with taking mean and petty vengeance on those who did not agree with them, by dismissing them from office. This charge Grenville had the effrontery to deny, though it was a notorious fact. As the debate approached its close, the Ministers called in every possible vote; "the sick, the lame were hurried into the House, so that," says Horace Walpole, "you would have thought they had sent a search warrant into every hospital for Members of Parliament." When the division came, which was only for the adjournment of Meredith's motion for a month, they only carried it by fourteen votes. In the City there was a confident anticipation of the defeat of Ministers, and materials had been got together for bonfires all over London, and for illuminating the Monument. Temple was said to have faggots ready for bonfires of his own. "No, you don't," answered Shorty. "I'm to be the non-commish of this crowd. A Lieutenant'll go along for style, but I'll run the thing." "Si Klegg, be careful how you call me a liar," answered the Orderly. "I'llˇŞ" "Then there is nothing to be done?" Dward asked. "I'll have a good grain growing there in five yearˇŞd?an't you go doubting it. The ground wants working, that's all. And as fur not wanting the farm no bigger, that wur f?ather's ideaˇŞOdiam's mine now." At last the gods, who are more open-handed than ungrateful people suppose, took pity on the rivals, and gave them something to fight about. The pretext was in itself trivial, but when the gunpowder is laid nothing bigger than a match is needed. This particular pretext was a barrow of roots which had been ordered from Kitchenhour by Reuben and sent by mistake to Grandturzel. Realf's shepherd, not seeing any cause for doubt, gave the roots as winter fodder to his ewes, and said nothing about them. When Reuben tramped over to Kitchenhour and asked furiously why his roots had never been sent, the mistake was discovered. He came home by Grandturzel, and found his precious roots, all thrown out on the fields, being nibbled by Realf's ewes. "It is false!" he replied, "no human law have I violated, and to no man's capricious tyranny will I submit." HoMEĹ·ĂŔąúŇ»Ľ¶ĘÓƵֱ˛Ą ENTER NUMBET 0016www.jwshwr.com.cn
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